{"id":351,"date":"2015-07-22T22:53:12","date_gmt":"2015-07-23T02:53:12","guid":{"rendered":"http:\/\/www.whoin.net\/?p=351"},"modified":"2017-05-08T14:09:51","modified_gmt":"2017-05-08T18:09:51","slug":"variationbw0101-v","status":"publish","type":"post","link":"http:\/\/www.whoin.net\/?p=351","title":{"rendered":"VariationBW0101-V"},"content":{"rendered":"<p><a href=\"http:\/\/www.whoin.net\/2015\/07\/variationBW\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-370\" src=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/08\/variationBW.jpg\" alt=\"variationBW0101-V\" width=\"600\" height=\"420\" srcset=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/08\/variationBW.jpg 600w, http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/08\/variationBW-300x210.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><b>VariationBW0101-V<\/b><br \/>\nThe harmony of polarities &#8211; black and white, 0 and 1, fast and slow, sharp and soft, male and female, and order and disorder, composed of layers of rhythms with the elastic movement of 2 players and the random beats of numbers in the left like the combination of string and percussion instruments. Clips are from 1988 Winter Olympics: Illia Kulik and Michelle Kwan. @2001.<\/p>\n<p><a class=\"customlink\" href=\"http:\/\/www.whoin.net\/2015\/07\/variationBW\/\" target=\"_blank\">open movie<\/a> \u00bb<\/p>\n<p><a href=\"http:\/\/www.whoin.net\/?cat=5\">#<u>Installation<\/u><\/a>, <a href=\"http:\/\/www.whoin.net\/?cat=5\">#<u>Video<\/u><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n<a href=\"http:\/\/www.whoin.net\/2015\/07\/variationBW\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-399\" src=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view241.jpg\" alt=\"view24\" width=\"600\" height=\"400\" srcset=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view241.jpg 600w, http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view241-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.whoin.net\/2015\/07\/variationBW\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-397\" src=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view221.jpg\" alt=\"view22\" width=\"600\" height=\"400\" srcset=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view221.jpg 600w, http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view221-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.whoin.net\/2015\/07\/variationBW\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-398\" src=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view231.jpg\" alt=\"view23\" width=\"600\" height=\"400\" srcset=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view231.jpg 600w, http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view231-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.whoin.net\/2015\/07\/variationBW\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-396\" src=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view211.jpg\" alt=\"view21\" width=\"600\" height=\"400\" srcset=\"http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view211.jpg 600w, http:\/\/www.whoin.net\/wp-content\/uploads\/2015\/07\/view211-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>System Requirement: DVD player, 5.6-Inch LCD.<br \/>\nHypervisualizations, Westside Gallery, 2\/14~3\/17 2001.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VariationBW0101-V The harmony of polarities &#8211; black and white, 0 and 1, fast and slow, sharp and soft, male and female, and order and disorder, composed of layers of rhythms with the elastic movement of 2 players and the random beats of numbers in the left like the combination of string and percussion instruments. Clips [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[16,29],"_links":{"self":[{"href":"http:\/\/www.whoin.net\/index.php?rest_route=\/wp\/v2\/posts\/351"}],"collection":[{"href":"http:\/\/www.whoin.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.whoin.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.whoin.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.whoin.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=351"}],"version-history":[{"count":34,"href":"http:\/\/www.whoin.net\/index.php?rest_route=\/wp\/v2\/posts\/351\/revisions"}],"predecessor-version":[{"id":506,"href":"http:\/\/www.whoin.net\/index.php?rest_route=\/wp\/v2\/posts\/351\/revisions\/506"}],"wp:attachment":[{"href":"http:\/\/www.whoin.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.whoin.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=351"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.whoin.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}