Cathedral
In progress. A prototype for an installation of 2-screen diptych, rose and birds. Built with Processing. Collaboration w. Sooin Lee. @2016.
#Processing/p5.js, #Installation
Cathedral
In progress. A prototype for an installation of 2-screen diptych, rose and birds. Built with Processing. Collaboration w. Sooin Lee. @2016.
#Processing/p5.js, #Installation
Tweet Tweet (Light and Movement #3)
Being interested in texts more for their visual elements than their contents and perceiving the action of tweeting as birds flapping wings, the most recent home timeline tweets are displayed broken, as if the character encoding was set wrong, and animates in a flipping motion. The actual data is revealed on mouseOver. This project is part of a prototype for an installation with split-flaps. @2015.
open movie »
#DataViz, #Flash(Actionscript), #Installation, Twitter API
Broadway Boogie Woogie, after Mondrian (Light and Movement #2)
The random movement of black & white cells, images, arrows, numbers, and yellow cab roof lights. This project is part of a prototype for an installation with LCD tiles. Built with Processing. @2014.
#Processing/p5.js, #Installation
Light Up (Light and Movement #1)
The movement of black and white cells and randomly selected words of human emotions: joy, anger, sorrow, and pleasure. Puzzle data from NY Times crossword 09/2000~02/2002. @2002.
#DataViz, #Shockwave(Lingo), #Installation
“Mind is like a chess board consists of black and white emotions. When these emotions get perfectly integrated with no distinction, a light circle is created in the center of the mind. There is a fleeting moment that I see the light and its movement reflected in the ordinary things around me, then I try to catch it as if I try to catch the moon reflected in the water.”
VariationBW0101-V
The harmony of polarities – black and white, 0 and 1, fast and slow, sharp and soft, male and female, and order and disorder, composed of layers of rhythms with the elastic movement of 2 players and the random beats of numbers in the left like the combination of string and percussion instruments. Clips are from 1988 Winter Olympics: Illia Kulik and Michelle Kwan. @2001.